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Bibliography

Mat Gleason, “Bey, Greenfield, Poppies and Formalism in Lancaster, California” Coagula, April 2022 Clayton Campbell, “Racial Reckoning” Artillery Magazine, September/October 2022 Allison Connor, “An Exhibition Trembles With Black Spiritualities” Hyperallergic, June 2021 Lita Barrie, ‘Envisioning a Guilded Vengence, in MSG’s Black Madonna” , Riot Material, 2020 Jasmine Liu, “Mark Steven Greenfield: Black Madonna, ArtNowLA, October 2020 Sarah Spitz, “Mark Steven Greenfield’s Black Madonna, Santa Monica Dailey Press, October 2020 Carol Cheh, “Meditating Through Love and Hate”, KCET Newletter, September 2020 Edward Goldman “Black madonna Praying for Us” , Art Matters, November 2020 Bridgette M. Redman, “Reimagined Religious Icons”, The Argonaut, November 2020 Jody Zellen, “Mark Steven Greenfield” Artillery, November 2020 Carolina Miranda, “Divine Intervention”, Los Angles Times, September 2020 Gary Brewer, “Mark Dean Veca & Mark Steven Greenfield: Graphic Subversion”, Art Now LA, March 2020
David S. Rubin, “Graphic Subversion”, Visual Art Source, March 14, 2020
Betty Brown, “Mark Steven Greenfield at Ca State LA Fine Arts Gallery”, Art and Cake, November 2018
Shana Nys Dambrot, “Love and Loathing”, LA Weekly, November 2018
Gary Brewer, “Mark Steven Greenfield, Strange Fruit”, Art and Cake, February 2018
David S. Ruben, “Mark Steven Greenfield: Mantras for Fighting Racism”, Fabrik Magazine, October 2017
Thomas Mitchelli "From Flint With Love, Art of the African Diaspora, Hyperallergic, July 2016                     Peter Frank, "Mark Steven Greenfield", featured review, Artillery Magazine, January/February 2015
Megan White, “The Art of Not Looking Away” Huck, February 2015
Carolina Miranda, "Removing the Minstrel Mask", Los Angeles Times, November 25, 2014                             Shana Nys Dambrot, "An Artist Gets Ahead of Himself", preview, LA Weekly, September 26, 2014               John O’Brien," Mark Steven Greenfield", review, Artillery Magazine, July/August 20, 2013                                                                
Nancy Zimmerer, "Mark S. Greenfield", review, Artscene, June 2011
Shana Nys Dambrot, "Facing the Past, Artfully", preview, LA Weekly, May 2011
Marina Donzella, "Black Face: The Minstrels of Greenfield", Il Punto Magazine, February 2011
Megan Kamerick, "ABQ meets LA", preview, New Mexico Business Weekly, April 3, 2009
Rachael DeLue, "Envisioning Race in Spike Lee’s Bamboozled",essay,The Spike Lee Reader, January 2009
Richard May, "Greenfield" review, Artillery Magazine, November/December 2008
Stacy Davies, "Jumpin’ & Jeerin’ with Jim Crow, review, Inland Empire Weekly, September 4, 2008
Carol Es, "Dis Sum Shit", interview, Whitehot Magazine, November 2007
Julie Joyce, "Wheel about an’ turn about an’ do jis so…", catalogue essay, Incognegro, September 2007
Walter Brooks, "Art Show Challenges Contemporary Racial Stereotypes", review, Omaha Star, March 1,2007
Peter Frank, "Pick Of The Week", review, LA Weekly, May 7, 2004
Leah Ollman, "Minstrel’s Message On Society" review, Los Angeles Times, April 30, 2004
Amrieka Takhar, "Whiteness: A Wayward Construction", review, Stretcher Magazine, January 2004
David Roediger, "I Came For The Art", review, Art Papers, May/June 2003
Holly Myers, "White Noise", review, LA Weekly, April 2003
Bill Lasarow/Jeanne Willette, "Whiteness, A Wayward Construction", Art Scene, preview, April 2003
Felicia Feaster, "Matters of Race", Creative Loafing, review, December 18, 2002
Devorah L. Knaff, "Represent takes look at Ourselves", review, The Press-Enterprise, October 2001
Pam Noles, "Artists’ showcase attempts to shatter stereotypes", review, Los Angeles Times, September 2001
Teri Thomson Randall, "Blackface/Whiteface" review, Santa Fe New Mexican, September 2001
Berin Golonu "Skin/Veneer Holding/Hiding" preview, Artweek, June 2001
Charlene Roth, "Charm Offensive" review, Artweek, November 2000
Hali Bernstein Saylor , "Family History Traced with Art" review, Hemet News, January 16, 2000
Mary Cline,"Rich Color, Workmanship link the Past with Present" review, The Press-Enterprise, January 25, 2000